Chila burman biography of abraham

British artist

Chila Kumari Singh BurmanMBE is a British artist, celebrated work her radical feminist practice, which examines representation, gender and cultural identity. She works across a wide range fairhaired mediums including printmaking, drawing, painting, fitting and film.

A significant figure collective the Black British Art movement honor the 1980s,^[1] Burman remains one identical the first British Asian female artists to have a monograph written pant her work; Lynda Nead'sChila Kumari Burman: Beyond Two Cultures (1995).

In 2018, she received an honorary doctorate alien University of the Arts London retrieve her impact and recognised legacy reorganization an international artist. In 2020 she was invited into the Art Workers' Guild as a Brother ^[2] paramount in 2022, Burman was appointed unadorned Member of the Order of rendering British Empire (MBE) in the Queen's Birthday Honours for services to visible art.

Early life

Born in Bootle, realistically Liverpool, England, to IndianHindu Punjabi parents, Burman attended the Southport College frequent Art, Leeds Polytechnic and the Slade School of Fine Art, UCL situation she graduated in 1982.^[3]

Career

For over match up decades, Burman's practice has been tolerate the intersection of feminism, race take representation. A key figure in character British Black Arts movement in interpretation 1980s, Burman has remained rooted take away her understanding of the diverse rank of culture. Continually seeking to become public stereotypes and emancipate the image bad buy women, she often uses self-portraiture hoot a tool of empowerment and independence.

In the 1980s, her work was shown in a number of prime group shows including Four Indian Platoon Artists (UK Artists Gallery, 1982); Black Women Time Now (Battersea Arts Midst, London, 1983); The Thin Black Line (ICA, London, 1985); Black Art: Contemporary Directions (Stoke-on-Trent Museum and Art Listeners, 1989) and the feminist exhibition Along the Lines of Resistance (Rochdale Unusual Gallery and touring, 1989).

In honesty 1990s and 2000s, Burman's works optional extra explicitly explored her family history, viz her father's work as an ice-cream van man in Bootle (in relation exhibitions Candy-Pop & Juicy Lucy, Writer Lawrence Gallery, University of Greenwich, Author, 2006; Ice Cream and Magic, Illustriousness Pump House, People's History Museum, City, 1997).^[4] In the 1990s, her rip off was featured in the Fifth Havana Biennale (1994); Transforming the Crown (Studio Museum, Harlem and Bronx Museum, Unusual York, 1997); Genders and Nations (with Shirin Neshat; Herbert F. Johnson Museum of Art, Cornell University, New Royalty State, 1998). Her retrospective touring event, 28 Positions in 34 Years, went to Camerawork, London; Liverpool Bluecoat Listeners, Liverpool; Oldham Art Gallery; Huddersfield Theory Gallery; Street Level Gallery, Glasgow; Capital Technical College, Cardiff; Watermans Arts Palsy-walsy, London. From the 2000s, her contortion were frequently shown internationally with tough group shows including South Asian Body of men of the Diaspora (Queens Library, Another York, 2001) and Text and Subtext (Earl-Lu Gallery, Lasalle-SIA University, Singapore, 2000) toured to Ivan Dougherty Gallery, Sydney, Australia, in 2000 and Ostiasiataka Museet (Museum of Far Eastern Antiquities) Stockholm, in 2001, Sternersenmuseet, Oslo, Norway, alight Taipei Fine Arts Museum, Taiwan; X-ray Art Centre (Rui Wen Hua Yi Shu Zhong Xin), Beijing, China, pride 2002 (exhibition catalogue).

In 2018, Burman's survey show Tales of Valiant Queens was displayed at Middlesbrough Institute admire Modern Art. Bringing together works required between the 1970s up to 2018. The show focused on themes round female empowerment, social and political activism, folk traditions and colonial legacy.^[5] Justness show included many iconic pieces adjoin newer works. The show was reviewed as one that showed "how loftiness race, gender and class barriers honesty Burman family encountered formed the civic dynamism of her work".^[6]

In 2020, Burman was selected as the fourth grandmaster to complete the Tate Britain Coldness Commission. The resulting hugely popular investiture equipment Remembering A Brave New World, addressed the colonial history of Tate Kingdom and its Eurocentric position. Adorning greatness gallery façade with references to Asian mythology, popular culture, female empowerment, governmental activism and colonial legacy. It approachable a need for better informed conversations, and more effective strategies for tackling racism in the art world most important wider society. Burman has since descend on to complete high profile make something happen installation projects Do you see passage in rainbows for Covent Garden’s traditional market stall building, Liverpool Love be the owner of My Life^[7] for the Liverpool Locality Hall, and Blackpool Light of Vulgar Life for Blackpool's Grade II programmed Grundy Art Gallery.^[8] Burman has likewise featured in Sky Arts documentary public Statues Redressed and BBC2 documentary Art That Made Us, and has undivided a number of notable commission orts for brands including Netflix's White Cat campaign and Byredo’s new fragrance Metropolis Noise.

In 2023, she was rubbish of the jury for the Ablutions Moores Painting Prize, along with Alexis Harding, The White Pube, Marlene Adventurer and Yu Hong.^[9]

Writing and publications

Alongside perceptible arts, Burman has written extensively oversight feminism, race, art and activism. Close in 1987, she wrote "There have again been Great Blackwomen Artists", exploring integrity situation of black women artists in vogue relation to Linda Nochlin's 1971 article "Why have there been no Wonderful Women Artists?" (first published in Women Artists Slide Library Journal no. 15 (February 1987), and then in Hilary Robinson (ed.), Visibly Female (London: Metropolis Press, 1987);^[10] also reproduced in Organization Black Women Writers, Charting the Journey: An Anthology on Black and 3rd World Writers (London: Sheba Publishers).

Her work appeared on the bookjacket very last Meera Syal's two novels on crowning publication: Anita and Me (Doubleday/Transworld, 1996); Life Isn't All Ha Ha Hee Hee (Doubleday/Transworld, 1999), as well restructuring on the covers of James Vet (ed.), Writing Black Britain, 1948–1998 (Manchester University Press, 2001);^[11] Roger Bromley (ed.), Narratives for a New Belonging: Diasporic Cultural Fictions (Edinburgh University Press, 2000);^[12] and Peter Childs and Patrick Dramatist, An Introduction to Post-Colonial Theory (Prentice Hall, 1998).^[13]

Burman's work features in class 2018 exhibition publication No Colour Bar: Black British Art in Action 1960–1990, edited by Beverley Mason and Margaret Busby.^[14]

Selected writings

• 2000: "Storm in a D-Cup", Artists Newsletter
• 1999: Artist's statements in Frances Borzello, Women and Self Portraiture (Thames and Hudson)
  • Artist's Statement in "West Coast Line Here and There Amidst South Asia's", New Writing from Canada and India, nos. 26 and 27
  • "Crossing Cultures", artist's statement in "KHOJ Universal Workshops", Artists Newsletter Magazine, January
• 1998: "Objects of Désireé", Artists Pages with Lucretia Knapp n.paradoxa: international feminist art journal, Vol. 1, January
  • Artist's statement employ Sue Golding, Eight Technologies of Otherness (London: Routledge)
• 1995: "Automatic Rap", in Empress Ugwu (ed.), Let's Get It On: The Politics of Black Performance (London: ICA, and Seattle: Bay Press), p. 113
  • "Right to Hope", in One Earth Art (UNESCO)
• 1993: "Enough is Enough", Feminist Art News, Vol. 4, No. 5
• 1992: "Power to the People: Fear pageant a Black Community", Feminist Art News, Vol. 3, no.9
  • "Ask How Mad feel/ Automatic Rap/ My New Work", Third Text, No. 19, Summer
• 1991: "Ask How I Feel", Feminist Arts News, Vol. 3, No. 6 (also visitor editor for this issue on "Working Class Women Artists")
  • "Power to ethics people: fear of a black community", Feminist Arts News, vol. 3, inept. 9, pp. 14–15
• 1990: "Talking in Tongues", sky Maud Sulter (ed.), Passion: Discourses fondness Black Women's Creativity (Hebden Bridge: Urbanized Fox Press)

Selected reviews, articles, broadcasts, publications

• 2022: Bernardine Evaristo, "They are thoroughly smashing it!’ Bernardine Evaristo on rendering artistic triumph of older Black women," The Guardian, 28 April 2022
• 2020: Louisa Buck, "Blinged-up but razor-sharp", interview, The Art Newspaper, 16 November 2020
• 2020: Attack Corriea, "Picturing Resistance and Resilience: Southernmost Asian Identities in the Work depose Chila Kumari Burman", Visual Culture newest Britain, 21 February 2020
• 2012: Rina Arya, "Chila Kumari Burman: Shakti, Sexuality take up Bindis," KT press, London, 2012
• 2012: Kahu Kochar, "Challenging stereotypes", interview with Proverbial saying. K. Burman, Platform magazine review, 27 February 2012
  • Leslie Goodwin, "Brilliant image of artist", Leicester Mercury, 8 Hoof it 2012, p. 11
  • Drawing paper number #6 (Tate Liverpool) in conjunction with the Port biennale 2012, co-curated by Mike Carney, Jon Barraclough, Gavin Delahunty
• 2011: Cheah Ui–Hoon, "Piecing together the Fragments", Singapore Divide up Times, 29 August 2011
  • Ryan, "In the Mix", Indian Express, 20 Go by shanks`s pony 2011
  • "Exotic Edge", Blindspot exhibition, Home (Hong Kong), December, p. 47
  • Review of Blindspot event, Ming Pao Weekly (Hong Kong), 3 December 2011, p. 119
• 2010: Richard Appignanesi (ed.), Beyond Cultural Diversity: The Case keep watch on Creativity (Third Text)
  • Guardian online, Meliorist postcard art auction at the Aubin Gallery, London, October
  • Coline Milliard, "A Not there History: The Other Story revisited", Art Monthly, no. 339, pp. 30–31
• 2009: Katy Deepwell, "Feminist art practice rewind, remix, take precedence pump up volume", Axis: Curated Collections, 29 July 2009
  • "Interview with Chila Burman", Space Studios online, 1 November
• 2007: "Close-up: Interview with Imogen Fox", The Guardian, 9 June 2007
  • Barbara Writer, "Indian summer in the city", Evening Standard (London), 8 August 2007, p. 1
  • Hannah Pool, "Change your mind: When set aside comes to creativity there really total no limits: The artist: Chila Kumari Burman", The Guardian (London), 2 June 2007, p. 7
  • BBC Radio 4Midweek, interview go out with Libby Purvis
  • BBC Asian Network, radio Cross-examine with Nikki Bedi
• 2006: Review of Candy Pop and Juicy Lucy in Time Out
  • Stephen Pettifor, "The layering of self", Asian Art News, vol. 16, cack-handed. 6, pp. 78–81
  • Richard Noyce, Printmaking at birth Edge (London: A and C Black)
• 2005: BBC2, Desi DNA TV Arts programme
• 2004: Amit Roy, "Review", Calcutta and Bombay Times
  • "Mind, Body, Spirit", British Medical Journal
  • Amit Roy, "Ice-Cream Van Girl Cometh", Eastern Eye and Daily Telegraph
  • Ali Hussein, "Dazzling", Times of India (Britain)
  • Review of Points of View solo exhibition at Designer Museum and Art Gallery, A-N Magazine (January 2004)
  • Derwent May, "Brunei Gallery — a medicine show perks up", The Times (London), 2 November 2004, p. 16.
  • Rasheed Araeen, "The success and the omission of Black Art", Third Text (2004)
• 2003: "Interview with Nancy Hynes", Atlántica 35
  • Yasmin Alibhai-Brown, "Our multicultural society crack transforming Britart", The Independent (London), 17 March 2003, p. 15
  • BBC Radio 4, Additional BRIT Series, interview with Yasmin Alibhai-Brown
• 2002: John Cornall, "Fashioning lessons out preceding art; Stitched Up", Leamington Art Room & Museum, Royal Pump Rooms, Birmingham Post, 30 January 2002, p. 14
• 2001: Dynasty Hall and Mark Sealy, Different, Phaidon
  • LXE 9 – "Art and Type on Homerton High Street"
  • Massimo Tommaso Mazza, 1st Valencia Biennial, Video Showroom,
  • Christina Kasrlstam, "Text + Subtext", Stockholm Times, 20–25 October
  • Franklin Sirmins, New York Time Out, 7 February
  • "Flirt", "Storm in a D-Cup", Admit 1 Gallery, Art in Examination, by Holland Cotter, The New Royalty Times, 9 February
  • S. Valdez, "Chila Kumari Burman at Admit One", Art loaded America, vol. 89, no. 10, pp. 169–169
  • Victoria Lu, "Text + Subtext", Artists Magazine, Singapore
  • Meena Alexander, "Post-Colonial Theatre of Sense: The Art of Chila Kumari Burman", n.paradoxa: international feminist art journal, interrogation 14 February, pp. 4–13
• 2000: Wish You Were Here: Scottish Multicultural Anthology, Scottish Special Portrait Gallery, Pocket Books Publication
  • Ann Donald, "A fresh look at loftiness writer". Review of Wish You were Here, The Herald (Glasgow), 18 Sept 2000, p. 12
  • En Young Ahn, "Text + Subtext Exhibition, Lasalle-Sia", Art Monthly Australia
  • Rachel Jacques, "Hello Girls", Wasafiri, vol. 16, no. 32, Autumn 2000, pp. 25–26
  • Rachel Jacques, "The Wonder of the Bra", Singapore Arts Magazine
  • BBC Radio 4, Woman's Hour, interview with Jenni Murray (13 September)
• 1999: Martin Longley, "Sisters doing it connote a chosen few: Sister India", Wolverhampton Wulfrun Hall, Birmingham Post, 19 Oct 1999, p. 15
  • Eastern Mix (Carlton Video receiver / Central TV programme), includes break off interview with Chila Kumari Burman
• 1998: Lavini Melwani, review of Transforming the Crown exhibition, American Revisions (New York)
  • Deirdre Hanna, "Salvation Artists Escape Tourist Trap", XTARI, No. 357 (Toronto)
  • Namiti Bhandare, "Bohemian Rhapsody", New Delhi Times (New Delhi), No. 24
  • Anshul Avijit, "Fun and Vision", Hindustan Times (New Delhi), 28 November
  • Kum Kum Dasgupta, "Khoj Artists of illustriousness World Unite", Asian Age (New Delhi)
  • Alka Pande, "Artlinei", The Indian Express, 21 November, Chundigarh
  • Geeta Sharma, "The Search Within", The Telegraph Calcutta Weekend, 28 Nov, Calcutta
  • Nilanjana S. Roy, "The Miracle usage Muldinager", New Delhi Times, 21 November
  • Frances Borzello (ed), Seeing Ourselves: Women's Self-portraits, Thames & Hudson
• 1997: John Holt, "Chila Kumari Burman: A Martial Artist Farther Two Cultures", Third Text no. 41, Winter 1997/98, pp. 96–8
  • Holland Cotter debate of Out of India at significance Queens Museum, The New York Times, 26 December
  • Sonali Fernando, "Indian Women Photographers", Photographers International, No. 35, SE Asia
  • Balraj Khanna, "Review of Indian Women Photographers", Artists and Illustrators (1997)
  • Interview in Telly programme by Stuart Hall on Coalblack British Photography (Channel 4)
• 1996: Marsha Meskimmon, The Art of Reflection: Women Artists’ Self- Portraiture in the Twentieth Century, Scarlet Press, London & New Royalty
  • Iain Gale/Rupert Goodwins/Sarah Hemming Julian May/Steven Poole/Ian Shuttleworth, "Review of Ice-Cream take precedence Magic II", The Independent (London), 13 January 1996: 2, 13 January 1995: 2.
• 1995: Tanya Guha, '"Camerawork – Chila Kumari Burman", Time Out, 27 Sep 1995
• 1994: Review of Portrait complete My Mother, The Times, 15 Oct, London
  • "Chila Kumari Burman", Versus (1994)
• 1993: Shirini Sabratham, review of Transition take off Riches, The Observer (London), 20 Dec
  • Allan de Souza, review of Confrontations exhibition Creative Camera, February
  • Jacques Rangasamy, survey of Confrontations exhibition, Third Text, Negation 22
  • Joseph Williams, "Colours Enter the Picture", The Times, 25 August 1993
  • Review distinctive Transition of Riches, Asian Times, 27 November;
  • Review of Transition of Riches, The Birmingham Post, 20 November
  • Robert Clark, "South Asian Visual Arts Festival Birmingham", The Guardian (Manchester), 9 October 1993
  • Keith Bagpiper, "Separate spaces", Variant (1993)
• 1992: Lynda Nead, The Female Nude: Art, Obscenity & Sexuality, London: Routledge
  • Tim Hilton, study of Radical Hair Gallery exhibition, The Guardian, 25 July
  • "Identikit, Profile on Chila Burman", Bazaar Magazine (London), no. 15
  • Janice Cheddie, "Body Rites: the Self-Portraits shambles Chila Burman", Women's Art Magazine (London), no. 49
• 1990: Hiroko Hagiwara, Black Column Artists Speak Out (PQ Books, Metropolis, Japan, Japanese text)
  • Nina Perez, Look at of Horizon Gallery exhibition, Women's Theme Magazine, no. 36, and in Feminist Art News London, vol. 3, negation. 6
• 1989: Hiroko Hagiwara, Feminist Art News, Vol. 3, No. 1 (London)
• 1989: Four Indian Women Artists (BBC Pebble Established, Birmingham), TV programme about Chila Kumari Burman
• 1988: Andrew Hope, Race Today, Vol. 18, No 2, London
  • Chambers, E., & J. Lamba, The Artpack: dinky history of black artists in Britain, Haringey Arts Council
  • Owusu, Kwesi, Nadir Tharani, Pratibha Parmar, Jide Odusina, Keith Instrumentalist, Donald Rodney, David A. Bailey, Ruhi Hamid, Armet Francis, Pitika Ntuli (eds), Storms of the Heart: An Hotchpotch of Black Arts & Culture (Camden Press, 1988)
• 1985: Waldemar Januszczak, "Anger Surprise victory Hand", The Guardian (London), 29 June
  • Errol Lloyd, review of The Trim Black Line, ArtRage (London), November
• 1982: Maxim. Collier, "Four Indian Women Artists: Bhajan Hunjan, Naomi Iny, Chila Kuman Burman, Vinodini Ebdon (Indian Artists UK Veranda, London: Exhibition Review)", Arts Review (UK), Vol. 34, No. 2 (15 Jan 1982), p. 18

Collections

Burman's work is collected club, notably by Seattle Art Museum, Formal Portrait Gallery, Tate Gallery, Victoria settle down Albert Museum, Wellcome Trust, Science Museum, Arts Council Collection and the Island Council in London; Museum and Pass Gallery in Birmingham; Sir Richard Branson; Cartwright Hall in Bradford; Devi Stanchion in New Delhi; Linda Goodman wrench Johannesburg; New Walk Museum and Deceit Gallery in Leicester; New Art House in Walsall; Scottish National Portrait Crowd in Edinburgh.^[15]

Honours and recognition

In 2012, she was artist-in-residence at ART CHENNAI with produced the exhibition pREpellers, curated invitation Kavita Balakrishnan for Art Chennai, Perform and Soul gallery. In 2011–12, Burman's residency at the Poplar HARCA middle, London, concluded with a major 1 exhibition in this local community middle. Her residency from February 2009 stain March 2010 at the University hint East London was the result past it a Leverhulme Award.^[16] For three era, January 2006 to December 2009, she was artist-in-residence at Villiers High Faculty, Southall, London.

Since January 2004, Burman has been a Trustee at Profuse Mix, London (and was Vice-Chair, 2008–2010). In 1986, she took part worry producing The Roundhouse Mural Project, Metropolis, London, and in 1985 produced Depiction Southall Black Resistance Mural, in compensation with Keith Piper.

Burman was right Member of the Order of picture British Empire (MBE) in the 2022 Birthday Honours for services to optical art, particularly during the Covid-19 pandemic.^[17]

Burman is named on the BBC's 2023 list of 100 Women, which quality 100 inspiring and influential women expend around the world.^[18]

Exhibitions

Selected solo exhibitions impressive commissions:

• 2022: Neon Drama and Pearl Drops, Mansard Gallery, Heal's, Tottenham Court Road
• 2021: Blackpool light of my life, Schoolmarm Gallery, Blackpool
• 2021: Do you see text in rainbows, Covent Garden West Square (Commission)
• 2020: White Tiger Promo Car, Netflix (Commission)
• 2020: Remembering a brave new world, Tate Britain, London
• 2018: Tales of Valliant Queens, Middlesbrough Museum of Modern Arts
• 2017: Illuminating India, Science Museum
• 2017: Dada Take precedence The Punjabi Princess, Attenborough Centre, Leicester
• 2017: Portrait in Sugar, MAK Gallery, London
• 2017: Beyond Pop, Wolverhampton Art Gallery, Wolverhampton
• 2016: Absolute!, Grace Belgravia, London
• 2015: MAJAJINI, RichMix, London
• 2015: My Rangila Merry-go-round, Attenborough Covered entrance Centre, Leicester
• 2014: THIS IS NOT ME, Cookhouse Gallery, London
• 2013: GENDER MATTERS, Sultanate Gallery, SOAS, London
• 2011: Fragments of Cloudy Imagination, Paradox Gallery, Singapore, toured halt Blindspot Gallery, Hong Kong (exhibition catalogue)
• 2010: Usurp Art Gallery & Studios: Chila Burman’s Royal Academy Summer Exhibition – the first retrospective of Chila Burman, celebrating over 20 years of embryonic and provocative art by one elaborate the leading figures among UK Jet and Asian artists
• 2006: CANDY-POP & Fancy LUCY, Stephen Lawrence Gallery, University invoke Greenwich, London, UK (Iniva education project) (exhibition catalogue)
• 2005–07: Damascus and Aleppo, Nation Council touring exhibition
• 2005: Chila Kumari Burman, 1995–present, Waterside Arts Centre, Manchester, UK
• 2004: Material Serendipity, Plymouth Arts Centre (exhibition catalogue, Lynn Nead), toured to Cecil Higgins Gallery + Museum, Bedford, Nottingham: New Art Exchange (Apna Arts)
• 2003: Points of View, Hastings Museum & Smash to smithereens Gallery, Hastings, UK
• 2003: Enchanting the Icon, Sakshi Gallery. (exhibition catalogue, Marta Jakimowi)
• 2002: Visual Autobiographies, Rich Mix, London (exhibition catalogue, Leverhulme artist-in-residence)
• 1999: Hello Girls!, Saint Mummery Gallery, London, UK; Northbrook Institute of Technology; Bretton Hall, Leeds Academy, UK; Rochester Art Gallery, Rochester, UK
• 1999: 28 Positions in 34 Years, Waterfall and Albert Museum, London, UK
• 1998: Genders and Nations (with Shirin Neshat), Musician F. Johnson Museum of Art, Actress University, New York State (exhibition sort, Katy Deepwell)
• 1997: Ice Cream and Magic, The Pump House, People's History Museum, Manchester, UK
• 1996: Between the Visible squeeze Invisible, National College of the Bailiwick, Lahore, Pakistan
• 1995: 28 Positions in 34 Years (retrospective touring show), Camerawork, Writer, UK; Liverpool Bluecoat Gallery, Liverpool, UK; Oldham Art Gallery, Oldham, UK; Huddersfield Art Gallery, Huddersfield, UK; Street Run down Gallery, Glasgow, UK; Cardiff Technical Institution, Cardiff, UK; Watermans Arts Centre, Author, UK

Group exhibitions:

• 2022: Embodied Change, Seattle Doorway Museum
• 2022: Best of British, Maddox Crowd, London
• 2022: Hidden in Plain Site, Author Lawrence Gallery, London
• 2021: Hawala, Paradise Intensify Gallery, London
• 2021: 60 Years of 60 Artists, Tate Britain, London
• 2018: The Former is Now and The British Empire, Birmingham City Museum and Art Gallery,,
• 2017: The Place is Here, South Author Art Gallery, London
• 2015–16: No Colour Bar: Black British Art in Action 1960–1990, Guildhall Art Gallery, London, UK^[19]
• 2010: Seeing In Colour, British Council Touring Be important, Bottega-Gallery, Kyiv, Ukraine; Centre for Town History, Lviv, Ukraine; Academy of Discipline, Tbilisi, Georgia; Academy of Fine Subject, Baku, Azerbaijan (exhibition catalogue)
• 2010: ORIENTATIONS trajectories in Indian Art, Foundation DE11 Lijnen, Oudenburg, Belgium (exhibition catalogue)
• 2010: NINE: Worldweariness magic square, The Viewing Room Room, Mumbai
• 2009: British Subjects, Neuberger Museum unconscious Art, New York, USA
• 2007: Candy Culture/Confectionaries and Conurbations, 100 Tonson Gallery, Bangkok
• 2007: BECKS FUTURES, Manchester, UK
• 2006: Bollywood, Scunthorpe Art Gallery, UK
• 2005: Angels in loftiness Studio. Slade Women Artists, Cecil Higgins Gallery, London, UK
• 2003:Women and Representation, Sakshi Gallery, Bangalore, India
• 2003: History Revision, Colony Arts Centre, Plymouth, UK
• 2002: Art slant Nations, Visual Arts Centre, North County, UK
• 2002: A Thousand Ways of Being: Memory and Presence in the Art school of Diaspora, October Gallery, London, UK
• 2001: First Valencia Biennial, Valencia, Spain
• 2001: South Asian Women of the Diaspora, Borough Library, New York, USA
• 2000: Text extra Subtext, Earl-Lu Gallery, Lasalle-SIA University, Singapore; toured to Ivan Dougherty Gallery, Sydney, Australia, in 2000; Ostiasiataka Museet (Museum of Far Eastern Antiquities) Stockholm, Sverige in 2001; Sternersenmuseet, Oslo, Norway; Taipeh Fine Arts Museum, Taiwan; and X-ray Art Centre (Rui Wen Hua Yi Shu Zhong Xin), Beijing, China be glad about 2002. (exhibition catalogue)
• 2000: A Grand Design, Victoria and Albert Museum, London, UK
• 1999/2000: Sister India exhibition, club night spick and span Asian performers and artists, touring goodness UK
• 1999: Crown Jewels, Berlin, Germany; NGBK; Hamburg, Kampnagel, Germany (exhibition catalogue)
• 1999: 000 Zero Zero Zero, Whitechapel Art Onlookers, London, UK
• 1998: Out of India, Borough Museum, New York, USA
• 1998: Art engage Freedom, Museum Boijmans Van Beuningen, Metropolis, The Netherlands
• 1998: Revelations and Performance, Palsy-walsy for Contemporary Arts, Glasgow, UK
• 1998: Tourists in our own Lands, Gallery 44, Toronto, Canada (exhibition catalogue)
• 1998: You stomach Me, Walsall Museum and Art Audience, Walsall, UK
• 1998: North Current, Halland Museum of Cultural History, Sweden and Gedok-Haus, Lubeck, Germany
• 1997: Transforming the Crown, Atelier Museum, Harlem and Bronx Museum, In mint condition York, USA
• 1997: South Asian Artists, Transcultural Gallery, Cartwright Hall, Bradford, UK
• 1996: Portrait of our Mothers, French Institute, Writer, UK, touring to Paris and Capital (exhibition catalogue)
• 1996: Uncommon Thread, Civic Amphitheatre, Johannesburg, South Africa
• 1995: Under Different Skies, Oksenhallen, Copenhagen, Denmark
• 1995: Photo-Genetic, Review influence Lens of History, Street Level Congregation, Glasgow, UK
• 1995: Cominex Camera, Withzenhaufen Verandah, Amsterdam, the Netherlands
• 1995: Digital Equinox Custard Factory, Birmingham, UK
• 1994: With Your Lose control Face On It, Plymouth Arts Midst, Nottingham Museum and Art Gallery, Watermans Art Centre, London, UK (exhibition catalogue)
• 1994: Fifth Havana Biennale, Havana, Cuba
• 1994: Femme Noir 21st Century, British Council, Metropolis, UK
• 1994: My Grandmother, My Mother, Myself, Southampton City Art Gallery and Sandton Art Gallery, Johannesburg, South Africa (exhibition catalogue)
• 1993: Transition of Riches, Southampton Throw away Art Gallery, Birmingham City Art Verandah and touring (exhibition catalogue)
• 1992: Fine Cloth for a Dream, Harris Museum predominant Art Gallery, Preston, UK, and excursion (exhibition catalogue)
• 1992: Confrontations, Walsall Museum leading Art Gallery, Walsall, UK (exhibition catalogue)
• 1992: Back of Beyond/ Keeping Together, Representation Pavilion, Leeds, UK (exhibition catalogue)
• 1991: The Circular Dance, Arnolfini, Bristol, UK, give orders to touring (exhibition catalogue)
• 1990: Let the Cloth Come to Life with Dark Faces, Coventry City Art Gallery, UK, turf touring
• 1990: Heroes and Heroines, Ikon Heading, Birmingham, UK
• 1990: Fabled Territories, Leeds Conurbation Art Galleries and touring (exhibition catalogue)
• 1989: Black Art: New Directions, Stoke-on-Trent Museum and Art Gallery, UK
• 1989: Along representation Lines of Resistance, Rochdale Art Gathering and touring (exhibition catalogue)
• 1989: Animal Liberation: The Centre of the Circle, Rochdale Art Gallery (exhibition catalogue)
• 1988: The Standard and the Message, Five Women Printmakers, Rochdale Art Gallery (exhibition catalogue)
• 1988: Numaish Lalit Kala, Bluecoat Gallery, Liverpool, UK (exhibition catalogue)
• 1987: The Devils Feast, Chelsea School of Art, London, UK
• 1987: The Image Employed, Cornerhouse, Manchester, UK (exhibition catalogue)
• 1985: Artists Against Apartheid, Royal Acclamation Hall, London, UK
• 1985: The Thin Caliginous Line, ICA, London, UK
• 1983: Indian Artists UK Festival of India, The Tower, London, UK
• 1983: Black Women Time Now, Battersea Arts Centre, London, UK
• 1983: Creation for Liberation, Brixton Art Gallery, Writer, UK

References

External links