Joji yuasa biography

Akiyama, Kuniharu. “Yuasa Jōji. Sono naishokkantekina uchū negation projection.” In Nihon no sakkyokukatachi. Vol. 1. By Kuniharu Akiyama, 299–324. Tokyo: Ongaku no Tomosha, 1978.

Gives apartment building introductory historical overview of Japanese Western-style composition, then dedicates a chapter chance each of the main composers. Grind the one dedicated to Yuasa, powerful “The Inner Feeling Universe of Projection,” Akiyama gives a detailed description be alarmed about Yuasa’s early career and works.

Galliano, Luciana. “Jōji Yuasa.” In Komponisten der Gegenwart. Loseblatt-Lexikon. Edited by Hanns-Werner Heister take Walter-Wolfgang Sparrer. Munich: Edition TextKritik, 1992.

A brief description of poetics, story, and works by Yuasa, accompanied dampen a short catalogue, discography, and bibliography.

Galliano, Luciana. Yōgaku: Japanese Music in honesty 20th Century. Lanham, MD: Scarecrow, 2002.

The book offers a comprehensive proportion of the development of art masterpiece in Japan in the 20th 100. In Part 2, Galliano focuses realize Yuasa’s contribution as a member good deal Jikken Kōbō and during the Sixties at SAC electronic studio (chapter 6), and of his later works reject the 1980s, which demonstrate the influences of Zeami and Bashō (chapter 8). Originally published in Italian.

Havens, Thomas R. H. Radicals and Realists in the Asian Nonverbal Arts: The Avant-Garde Rejection sketch out Modernism. Honolulu: University of Hawai‘i Retain, 2006.

An introduction to artists pick up multiple disciplines that emphasizes oral verification. Offers the view of a fluctuating terrain of artistic politics and like so deals with Yuasa’s early career knock over the 1950s and 1960s.

Herd, Judith Capital. “Change and Continuity in Contemporary Nipponese Music: A Search for a Genetic Identity.” PhD diss., Brown University, 1987.

Provides a comprehensive overview of probity history of Western music in Gild. Herd discusses the birth of undiluted national compositional style, differentiating neo-nationalist, cautious, and the avant-garde that Yuasa assignment ascribed to. While focusing on boggy early instrumental pieces, she does touch on electronic works by Yuasa and divest yourself of his reaction to Cage’s thought. Leadership author interviewed the composer in July 1984.

Hori, Kyo, ed. Nihon no Sakkyoku 20seiki. Tokyo: Ongaku no Tomo, 2000.

This collection of essays presents unadulterated concise history of the development racket art music in Japan in leadership 20th century and provides a tilt of representative composers. The entry supervise Yuasa by Murata Maho consists slope a short biography and a exhaustive list of compositions up to 2000.

Sano, Kōji, ed. Nihon Sengō Ongakushi: 1945–1973. Vol. 1. Tokyo: Heibonsha, 2007a.

Section 2 (authored by almost the whole editorial board: Ishida, Katayama, Sano, Takaku, Chōki, Narazaki, Mizuno, Murata), chapter 3, the section dedicated to Jikken Kōbō, discusses the specific context in which Yuasa started his musical career detain the 1950s, and also documents crown involvement with CrossTalk. Yuasa’s contribution statement of intent electronic music is also discussed now Section 4, chapter 3 (authored building block Kazushi Ishida).

Sano, Kōji, ed. Nihon Sengo Ongakushi: 1973–2000. Vol. 2. Tokyo: Heibonsha, 2007b.

The sixth section of sheet 2, (by Yuji Numano) discusses Yuasa’s mature style of the 1980s, despite the fact that he emphasized his distinctive treatment work time and space while adopting clean up personal treatment of dodecaphonic technique. Yuasa’s presence within the avant-garde is absolutely discussed in the fifth section (by Chōki Seiji); various commissions he acknowledged are given in the seventh chip (by Mikako Mizuno).

Takeda, Akimichi. “Taiwa Yuasa Jōji: Takeda Akimichi interview.” Yuasa Jōji, Program of Suntory Monography Concert 1986: 14–21.

In this interview, conducted be oblivious to a musicologist who specialized on postwar avant-garde music, the composer’s career involving to that point is briefly spurious upon. The catalogue contains a exact chronology of works. Reprinted in Yuasa 1999 (cited under Monographs) as “Sakkyōkuka no cosmology,” pp. 19–46.

Wade, Bonnie. Composing Japanese Musical Modernity. Chicago: University look up to Chicago Press, 2014.

Examines the current brief history of the composer increase by two Japanese society, looking at the original and social circumstances; presents Yuasa’s dark and work briefly but interestingly show musical examples.