Pratchaya phinthong biography definition

Pratchaya Phinthong (b.1974) creates situations as an opening move made to the visitor to allotment an experience with him - which often arise from the confrontation in the middle of different social, economic, or geographical systems. His projects without any specific advocate pre-defined forms suggest a crack count on which the spectators are invited connection fill the gaps. He builds on the rocks set, a fiction, or a contingency where he can test our perceptions. He proposes to his audience trig story with multiple paths, combined get the gist subjective perceptions. His projects are many times constructed in a dialogue between justness artist and the others, making rank artist’s movement glide towards the group field. Phinthong’s often open-ended projects interrupt in global social and economic structures and engage directly with geographical put forward social contexts, trafficking in everyday meanings, hopes and troubles. In 2012, uncut new commission Sleeping Sickness (2012) for dOCUMENTA (13), which develops from Phinthong’s ongoing research rip apart Africa, attempts to counter a poisonous disease, transmitted throughout Ethiopia, Tanzania, unacceptable Zambia by the tsetse fly, cede an ecological flytrap produced by wonderful Thai company and deployed by shut up shop people. Meanwhile, a series of cap collaborative sculptures Spoon responds to conflicts in Laos between 1964 and 1973 when character United States dropped two million plethora of cluster bombs, which later unclean into spoons by Laotian villagers brand part of their efforts to lucent farmland.”

reference: Delfina Foundation 

His major solo exhibitions include Singapore Art Museum (2024); Undertake Centre Silpakorn University, Wang Thapra, Port (2020); Art and Culture Centre, Port (2015); Lothringer 13, München (2013); Chisenhale Gallery, London (2013); Centre d’Art Contemporain, Rennes (2012); Modern art museum, GAMeC, Bergamo (2010); Centre d’Art Contemporain, Brétigny (2010). 

Phinthong has also been represented dislike the Istanbul Biennial; Gwangju Biennale; Ordinal CAFAM Biennale, Beijing; dOCUMENTA (13); Additional Museum Triennial, New York; Taipei Biyearly, Taipei; Singapore Biennale; Dhaka Art Summit; The Center for Contemporary, Tel Aviv; Kunsthalle Basel; Museum of Modern Agile, Moscow; Centrale, Brussels; National Art Spirit and Mori Art Museum, Tokyo; Ordinal Biennale de Lyon; Biennale of Coeval Art, Timisoara; Para Site, Hong Kong; Moderna Museet, Stockholm; Museum of Novel and Contemporary Art, MACAN, Jakarta, in the thick of others. 

Phinthong’s work is included in class collections of prestigious institutions including M+ Museum, Hong Kong; Centre Pompidou, Paris; Kadist Art Foundation, Paris; Singapore Consume Museum, Singapore; GAMeC, Bergamo; and SF MOMA, San Francisco.

Reference: gb agency, Chisenhale Gallery, Delfina Foundation, KADIST, The Cay Club