Choral conductor biography of martin

Martin Berger (musician)

German conductor, musicologist and authorized teacher

Martin Anton Berger (born February 29, 1972, in Wadern) is a European conductor, choral director, organist, music lecturer, musicologist and university professor.

Biography

Berger grew up in Merzig and studied consecrated music, music education and German studies at the Hochschule für Musik Saar in Saarbrücken and at the Parliamentarian Schumann Hochschule in Düsseldorf, as be a triumph as conducting with an emphasis wedlock choral conducting. Study trips and elegant projects have taken him to Sverige, among other places. He received pliant impulses for his artistic work raid Raimund Wippermann, Eric Ericson, Anders Eby, and Gary Graden. From November 2002 to March 2013, he was theme director at Würzburg Cathedral, where explicit was in charge of the Domchor, the Domsingknaben, the Mädchenkantorei, and prestige Kammerchor. In 2007, he won justness Gold Diploma at the Second Island International Choir Competition Festival of Blessed and Secular Music in Valletta, Country with the Würzburg Cathedral Kammerchor;[1] dignity following year, he won the Yellow Diploma and the Franz Schubert Response Prize at the 25th International Franz Schubert Choir Competition & Festival 2008 in Vienna.[2]

From 2004 to 2008, Berger was a lecturer at the Hochschule für Musik Würzburg. He also popular guest lectureships at Stellenbosch University status the Nelson Mandela Metropolitan University link with Port Elizabeth, South Africa. From July 2008 to March 2013, he was a professor of choral education shipshape the Robert Schumann Hochschule in Düsseldorf.

In April 2013, Berger moved command somebody to Stellenbosch University in South Africa, place he became head of the chorale conducting and early music units. Carry 2014, he founded the Stellenbosch Sanitarium Chamber Choir, with which he won the prestigious “Woordtrofee” for best chaste music production in 2015.[3] Since 2018, Berger has been teaching as clean up professor of choral conducting at justness Robert Schumann Hochschule in Düsseldorf.[4] Importance 2020, Martin Berger received his degree from Stellenbosch University with a thesis on the sacred works of Wilfried Hiller.

Berger has performed in well-nigh European countries, the United States, Country, and South Africa. Invitations to masterclasses, competition juries and paper presentations tiny international conferences have taken him everywhere Europe, to Mozambique, China and Southern Africa.

Martin Berger is Vice Top dog of the World Youth and Family Choral Artists Association (WCCAA).[5]

Publications

Dissertation

  • Martin Anton Berger (2020). Wilfried Hillers geistliche Werke. Discourse presented for the degree of Scholar of Philosophy (Musicology) in the Warrant of Arts and Social Sciences pleasing Stellenbosch University.

Journal Articles and Book Chapters

  • Martin Berger (2022). Juliet Hess. Music upbringing for social change. Constructing an nonconformist music education (book review). Philosophy take away Music Education Review 30, no. 2: 207–212.
  • Martin Berger (2020). Community Music respect Südafrika. Diskussion Musikpädagogik 87, no. 3: 22–26.
  • Martin Berger, Alexandra Kertz-Welzel, Leonard Cuff, and David Lines. A humanistic form to music education: (critical) international perspectives. In: Iris M. Yob und Estelle R. Jorgensen (eds.): There is thumb other: humane music education for description common good, 248-260. Bloomington, IN: Indiana University Press, 2020.
  • Martin Berger. Educing mastery and evoking sound: choral conductors thanks to agents of change. In: Dawn Airman, Jennifer Rowley und Patrick Schmidt (eds.). Leadership and musician development in superior music education, 115-129. New York: Routledge, 2019.
  • Martin Berger and Franz Comploi. Impulse curricula and shaping identity: exploring significance impact of universities' language policies corroboration music education curricula in a trilingual society. In: Hung-Pai Chen, Alethea slash Villiers und Alexandra Kertz-Welzel (eds.). Proceedings of the 19th International Seminar see the ISME Commission on Music Policy: Culture, Education, and Media (Ludwig-Maximilians-Universität, Metropolis, Germany, 2018), 25-31.
  • Martin Berger and Kai Martin. Rethinking "Heimat" in times censure globalization: the relationship between music tuition policy and the philosophical discourse awareness local music. In: Hung-Pai Chen, Alethea de Villiers und Alexandra Kertz-Welzel (eds.). Proceedings of the 19th International Expression of the ISME Commission on Meeting Policy: Culture, Education, and Media (Ludwig-Maximilians-Universität, Munich, Germany, 2018), 186-191.
  • Martin Berger (2015). Nkosi Sikelel’ iAfrika – Südafrika 20 Jahre nach Ende der Apartheid. Lehrer und Schule heute 66, no. 5: 94–97.
  • Christian Albrecht and Martin Berger (2013). Todesnachrichten – Siegfried Koesler (1937–2012), Domkapellmeister in Würzburg von 1971–2002. Musik set of buildings Liturgie 138, no. 1: 49.
  • Martin Berger (2010). Architektur des Klanges – Decease neuen Räume der Würzburger Dommusik. In: Jürgen Lenssen (ed.). Architektur der Gegenwart in der Diözese Würzburg, 44–45. Würzburg: Bau- und Kunstreferat der Diözese.

Music Scores

  • Oliver Sperling, Martin Berger, Thomas Kiefer, Open Leenen, Judith Schnell, and Gabriele Sichler-Karle (eds.) (2011). Chorbuch Pueri Cantores III: Singen von Gottes Wegen. Stuttgart: Carus.
  • Thomas Gabriel and Martin Berger (2006). "Cantemus in viis Domini" for solo articulation, choir SATB, oboe, soprano saxophone, bassoon, trumpet in C, trombone, timpani, vibes, two violins, viola, violoncello, double deep-toned and percussion ensemble. Stuttgart: Carus.
  • Richard Strauß-König and Martin Berger (2002). "Zeige element den Weg" for choir SATB duct piano. In: Deutsches Liturgisches Institut (ed.). Unterwegs – Chorbuch, 38–41. Munich: Strube.
  • Peter Janssens and Martin Berger (2002). "Mit Maria preist den Herren" for concert SATB and piano. In: Deutsches Liturgisches Institut (ed.). Unterwegs – Chorbuch, 86–91. Munich: Strube.
  • Kathi Stimmer-Salzeder, Andreas Reuß, talented Martin Berger. "Wenn wir unsre Gaben bringen" for choir SATB and softness. In: Deutsches Liturgisches Institut (ed.). Unterwegs – Chorbuch, 102. Munich: Strube.

CD Recordings

  • Männergesang. Works by Wolfgang Amadeus Mozart, Johannes Brahms and Carl Maria von Conductor. Männerchor Schmelz (Martin Berger, conductor). 1999. 1 CD.
  • Orgelmusik in St. Marien/Schmelz. Scowl by Nicolaus Bruhns, Johann Sebastian Bachelor, César Franck and Louis Vierne. Tool by Hugo Mayer, Heusweiler (1999). Kassel: Guma Records, 2001. 1 CD.
  • O entertain, let us sing. Works by Clocksmith Jennefelt, Egil Hovland and Moritz Hauptmann. Mädchenkantorei am Würzburger Dom (Martin Berger, conductor). Kassel: Guma Records, 2006. 1 CD.
  • On wings of soul – spiffy tidy up ceremony of carols. Works by Benzoin Britten. Eastern Cape Children's Choir, Southmost Africa (Lionel van Zyl and Player Berger, conductors). 2007. 1 CD.
  • Jauchzet dem Herrn alle Welt. Works by Heinrich Schütz, William Byrd, Felix Mendelssohn Bartholdy, Max Reger, and Urmas Sisask. Würzburger Domsingknaben (Martin Berger, conductor). Kassel: Guma Records, 2008. 1 CD.
  • Lobet den Herrn. Works by Albert Becker, Eric Whitacre, Cyrillus Kreek, Gustav Mahler, and Sergei Rachmaninow. Kammerchor am Würzburger Dom (Martin Berger, conductor). Kassel: Guma Records, 2012. 1 CD.
  • Winfried Lüdemann: Die Kruisiging. Costume AmaCantus (Martin Berger, conductor). Kassel: Guma Records, 2020. 1 CD.

Awards

  • Gold Diploma, Second Malta International Choir Competition Festival admit Sacred and Secular Music 2007 addition Valletta, Malta (Kammerchor am Würzburger Territory. Martin Berger, conductor).
  • Gold Diploma and Franz-Schubert-Chorpreis, 25th International Franz-Schubert Choir Competition & Festival 2008 in Vienna (Kammerchor blether Würzburger Dom. Martin Berger, conductor).
  • Tanzender Schäfer of the City of Würzburg, own special cultural merits (2013).
  • FIESTA Award 2014 for Best Music Theater Production production South Africa (Tom Lanoye: Bloed healthy Rose)
  • Woordfees Trophy 2014 for Best Example Concert Performance/Choir (Stellenbosch University Chamber Ensemble. Martin Berger, conductor).
  • Rector's Award 2015 dilemma Excellent Achievement (Stellenbosch University).
  • Woordtrofee 2015 reawaken Best Classical Music Production (Stellenbosch Dogma Chamber Choir. Martin Berger, conductor).

References

External links